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INTERNALOur own product

Ten Reels in Code: ten motion films drawn and scored entirely by code

Ten vertical motion films for the studio’s Instagram, each built on a different technique: a particle globe, a murmuration, a machine that plays music by collisions, a 3D medallion, a kinetic-type edit. Every frame is drawn by code and every sound is synthesised: no stock footage, no AI imagery, no licensed music.

10 Reels · 152 s · code only · 2026

Five vertical frames side by side: orange kinetic type, a particle globe, a gold medallion, an editorial page with an orange dot and a flock of dashes forming a number

films: 10
total running time: 152 s
stock clips, AI images or licensed tracks: 0
from brief to ten finished films: 1 day

Videos

From $13.14.1 s, with sound, vertical 720 × 1280. A three-colour kinetic-type hype edit at 128 BPM: the studio’s offer in fourteen seconds. Drawn in code, no AI imagery.

Poster frame of the Reel “From $13.”

The history of AI in 16 seconds.16 s, with sound, vertical 720 × 1280. One spark flies along a timeline from 1950 to 2026; each milestone snaps into a particle symbol. For VITON13 SCHOOL. Drawn in code, no AI imagery.

Poster frame of the Reel “The history of AI in 16 seconds.”

Ten desks. One newsroom.15 s, with sound, vertical 720 × 1280. A particle globe with VJOURNAL’s ten country desks, arcs between them and the journal’s numbers. Drawn in code, no AI imagery.

Poster frame of the Reel “Ten desks. One newsroom.”

Seven directions. One rhythm.16 s, with sound, vertical 720 × 1280. A machine where every note of the melody is a visible ball-on-bar collision: seven bars, seven studio directions. Drawn in code, no AI imagery.

Poster frame of the Reel “Seven directions. One rhythm.”

Three programmes. Thirteen skills.14.5 s, with sound, vertical 720 × 1280. Three engraved 3D medallions drawn on canvas, with gold dust, for the school’s three programmes. Drawn in code, no AI imagery.

Poster frame of the Reel “Three programmes. Thirteen skills.”

VJOURNAL, counted.15 s, with sound, vertical 720 × 1280. A murmuration of ten thousand dashes pours into the journal’s numbers: 957, 4, 1,069 and 2. Drawn in code, no AI imagery.

Poster frame of the Reel “VJOURNAL, counted.”

It starts with a dot.15 s, with sound, vertical 720 × 1280. One dot grows into seven living interface windows, the camera pulls out until the desktop is a point, then dives into a phone. Drawn in code, no AI imagery.

Poster frame of the Reel “It starts with a dot.”

Same model. Different result.16 s, with sound, vertical 720 × 1280. A noisy prompt cloud passes the four gates of the school’s method and comes out ordered. Drawn in code, no AI imagery.

Poster frame of the Reel “Same model. Different result.”

Full stop.14 s, with sound, vertical 720 × 1280. An editorial page typesets the newsroom’s rules; an orange ball lands as the full stop of each sentence. Drawn in code, no AI imagery.

Poster frame of the Reel “Full stop.”

Seven stages.16 s, with sound, vertical 720 × 1280. A black ball travels through the studio’s seven stages on paper, with hand-written animation notes. Drawn in code, no AI imagery.

Poster frame of the Reel “Seven stages.”

Task

Make a run of Reels for the studio’s own Instagram that looks like the work of ten different motion designers, about three things we make: the studio’s services, VITON¹³ SCHOOL and VJOURNAL.

The account and the brief are ours; no client commissioned these films.

What we did

Ten vertical films of 14 to 16 seconds, each with its own look, soundtrack, cover and caption, plus the shared engine they run on.

Four films are about the studio’s services, three about the school and three about the journal; every figure on screen was read from our live sites on 12 October 2026.

How it works

As references we took public prompts collected on prompt-motion.com under the tag “particles” and answered each with a different idea. Each film is an HTML scene whose every frame is a pure function of time; a shared engine provides springs, a 3D camera, particles, depth of field and type that lands on the beat.

The music and every hit, tick and whoosh are synthesised from the scene’s own cue list, so picture and sound cannot drift. The ten scenes were written in parallel from one brief, checked one frame per beat and rendered in headless Chrome with motion blur.

What exists now

Ten finished films, 152 seconds in total, made in one day and scheduled one a day from 13 October 2026.

The engine stays: a new film is one scene file, one soundtrack file and one command.

What this does not prove

These are our own Reels, not client work, and they have only started to publish: there are no reach or sales figures yet.

The sound was balanced by measurement, not mastered by ear. The reference prompts are public and belong to their authors; we took the ideas of the techniques, not footage or code.

How to check a web studio’s portfolio

Seven interface windows of studio directions around a first Design window — “It starts with a dot.”: seven living windows.

Glowing balls bouncing between seven luminous bars labelled with studio directions — “Seven directions. One rhythm.”: every note is a collision.

Services this case shows

Describe the task on the service page; a written scope, timeline and price come back within one working day.

Discuss a similar project

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